Blue Tango (full orhcestra) Best value consistent performance and good tone

consistent performance and good tone

HB-12A 3rd octave expansion kit

Instrumentation CONDUCTOR SCORE (FULL SCORE) 20 pages PICCOLO 2 pages FLUTE 2 pages OBOE 2 pages BASSOON 2 pages BB CLARINET 1 2 pages BB CLARINET 2 2 pages BB CLARINET 3 2 pages EB ALTO CLARINET 2 pages BB BASS CLARINET 2 pages EB ALTO SAXOPHONE 1 2 pages EB ALTO SAXOPHONE 2 2 pages BB TENOR SAXOPHONE 2 pages EB BARITONE SAXOPHONE 2 pages BB TRUMPET 1 1 page BB TRUMPET 2 1 page BB TRUMPET 3 1 page F HORN 1 2 pages F HORN 2 2 pages TROMBONE 1 2 pages TROMBONE 2 2 pages BARITONE B

3 6x Bb clarinet 2x Bb tenor saxophone 2x Eb alto saxophone/alto clarinet 2x horn in F 2x violin 4x viola PT

Dimensions: 23 x 162 x 51 mm

Blue Tango (full orhcestra) Best value consistent performance and good toneAt the height of his career in the mid 1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His compositions, more than 50 in number, virtually define the sound of the contemporary American pops orchestra. Blue Tango was a #1 hit in 1951, juxtaposing the charismatic melody over a traditional tango pulse. The work captured the spirit of an era. This title is