Sestina silas-finch William Claxton re-edited his photographs

William Claxton re-edited his photographs of the jazz greats during the 1950's

primarily the Library of Congress and the United States Geological Survey

and destroyed

96 four-color plates

the feel of the Polaroid

Sestina silas-finch William Claxton re-edited his photographsThe world according to Robert Stivers is an anxious place in which vision of all is impaired, and in which no one, introvert or extrovert, can immediately feel entirely comfortable or secure Spun around, unmoored from our reference points, off center, stripped of the comfort of clarity and specifics, we are thrust abruptly into this astigmatic dramaturgy, rife with hints of ancient ritual, elemental forms, animal spirits, charged objects, celebrants