YAMAMOTO & YOHJI - RIZZOLI Etudes Studio Architecture

Architecture

n the January/February issue of Frame

mais aussi à chacun qui s'intéresse à l'histoire de nos objets

depuis le Crystal Palace de Joseph Praxton (1851) jusqu'aux réalisations de Richard Buckminster Fuller (pavillon des États-Unis à l'Exposition universelle de 1967)

sociologues

YAMAMOTO & YOHJI - RIZZOLI Etudes Studio ArchitectureSince the early 80s, Yohji Yamamotos groundbreaking silhouettes and innovative design aesthetic have propelled him to the highest rank of the international avant garde. Distinguished by his anti fashion approach, Yamamoto changed the face of contemporary fashion, radically transforming it with asymmetrical and highly conceptual designs partly inspired by the techniques of traditional Japanese kimonos. His vision came as a refreshing contrast to the