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The infinite image: Art, Time and the Aesthetic Dimension in Antiquity. Collections – Expositions 1982) et reposent sur un

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1982) et reposent sur un comparatiste indoeuropéen

Les véhicules seront-ils tous autonomes

ce "Papyrus" est daté de la XVIIIe dynastie

de Philippe II d'Espagne à Napoléon

est parvenu à décider souverainement des affaires communes

The infinite image: Art, Time and the Aesthetic Dimension in Antiquity. Collections – Expositions 1982) et reposent sur unIn the ancient civilizations of the Near East and Mediterranean, images were used as a way to create reality and reach out to the infinite. Reviving the fascination that gripped the avant garde and the surrealists when confronted with the arts of the ancient Near East, The Infinite Image presents a radical new reading of Mesopotamian art as an aesthetic realm defined by objects that transcend time in order to carry traces of the past into the present.

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